
The Catalogue provides the primary historical structure of Extremes and Moderations. Each volume is assigned one principal place within a sequence of literary formations, while the separate Associations system connects writers across periods through publications, institutions, movements, intellectual currents, and local literary networks.
Early Southern California poetry in newspapers, civic print culture, pioneer memory, and nineteenth-century literary institutions.








The regional literary culture organized around magazines, booster-era institutions, and the turn-of-the-century Southern California renaissance.












Poetry connected to Progressive reform, suffrage, labor, socialism, anti-imperialism, and politically engaged print culture.










Poetry circulating through clubs, newspapers, commemorative occasions, civic organizations, and the public literary culture of metropolitan Los Angeles.















Popular and vernacular poetic forms crossing song, recitation, humor, cowboy verse, theater, and mass entertainment.










Religious, mystical, metaphysical, occult, and comparative-spiritual traditions within Southern California poetry.









Modernist and experimental writing developing through independent Los Angeles networks outside any single institutional or magazine lineage.











Asian American, immigrant, diasporic, translated, and transpacific poetic formations centered in Southern California.






Regional lyric poetry spanning the interwar and early postwar decades, including formal, landscape, civic, and personal modes.









Poets whose literary lives intersected significantly with film, screenwriting, studios, performance, or Hollywood cultural production.






Poetry shaped by Southern California deserts, missions, inland communities, borderlands, ecology, and regional historical imagination.







Poetry connected to fine printing, bookselling, private presses, typography, visual culture, and the material arts of the book.







Black Los Angeles poetry understood through newspapers, schools, civic institutions, literary networks, and cultural institution building.




Poetry shaped by the literary left, labor politics, anti-fascism, HUAC, blacklisting, civil liberties, and McCarthy-era repression.




The postwar Los Angeles poetry network associated with California Quarterly, Coastlines, Poetry Los Angeles, and related editors and circles.











Postwar poetry shaped by universities, colleges, workshops, teaching, libraries, mentorship, and literary institutional life.






Later independent little-magazine formations and experimental editorial networks associated with Trace, Variegation, Recurrence, and adjacent projects.






Venice West, Beat, and New American Poetry networks, including small presses, performance, counterculture, and postwar experimental poetics.





