THE TEXT/TECH PAPERS

Walter Conrad Arensberg — Collected Poems

April 4, 1878 (Pittsburgh, Pennsylvania)–January 29, 1954 (Los Angeles, California)

Walter Conrad Arensberg began as a polished Symbolist poet and ended his brief publishing career by treating language like a readymade: stretched across pages, fragmented into mathematical propositions, and stripped of ordinary sense. Between those points lie Poems (1914), Idols (1916), translations from French, German, and Italian, wartime sonnets, and seven radical works printed in Rogue, The Blind Man, 391, and TNT. His literary experiment belonged to the same life that made his New York apartment a center of American Dada and his Hollywood house an unparalleled private museum of Duchamp, modern European art, pre-Columbian objects, and Renaissance books. This edition restores the full poetic record in chronological order and places the late typographic works beside facsimiles of their first appearances.

ADDITIONAL INFORMATION

Bibliography

Arensberg, Walter Conrad. Poems. Houghton Mifflin Company, 1914.

———. Idols. Houghton Mifflin Company, 1916.

———. The Cryptography of Dante. Alfred A. Knopf, 1921.

———. The Cryptography of Shakespeare. Howard Bowen, 1922.

———. The Secret Grave of Francis Bacon and His Mother in the Lichfield Chapter House. Howard Bowen, 1923.

———. The Shakespearean Mystery. Plimpton Press, 1928.

———. The Baconian Keys. Plimpton Press, 1928.

Works About the Author

Walter and Louise Arensberg papers, 1912–1982. Archives of American Art, Smithsonian Institution.

Francis Bacon Foundation Records, 1936–1997. Philadelphia Museum of Art Archives.

Marling, William Henry. “Williams and the Arensberg Circle, 1909–1923.” PhD diss., University of California, Berkeley, 1980.

Naumann, Francis M. “Walter Conrad Arensberg: Poet, Patron, and Participant in the New York Avant-Garde, 1915–20.” Philadelphia Museum of Art Bulletin, vol. 76, no. 328, spring 1980, pp. 2–35.

———. “The Dada Poetry of Walter Arensberg.”

Nelson, Mark, William H. Sherman, and Ellen Hoobler. Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A. Getty Research Institute, 2020.

Sherman, William H. “Walter Conrad Arensberg’s Anagramania.” Cabinet, no. 45, spring 2012.