Sadakichi Hartmann’s real poetic career belongs to New York, Boston, San Francisco, and the wandering bohemia of the turn of the century—not to Los Angeles. He returned west in 1923 only after his major poetry books had appeared, moved through Hollywood in the 1920s, and spent much of his later life around Beaumont, Banning, and the San Gorgonio Pass. This small edition therefore does not reprint Drifting Flowers of the Sea, My Rubaiyat, or the early tanka and haikai merely because Hartmann later revised or reissued them in California. It keeps only the late poems and fragments that can reasonably be connected with his Southern California years, while marking what is securely dated and what remains uncertain.
Hartmann, Sadakichi. Conversations with Walt Whitman. E. P. Coby, 1895.
———. A History of American Art. 2 vols. L. C. Page, 1901.
———. Drifting Flowers of the Sea and Other Poems. Privately printed, 1904.
———. The Whistler Book. L. C. Page, 1910.
———. My Rubaiyat. Mangan Printing Company, 1913; third revised edition, 1916.
———. Tanka and Haikai: Japanese Rhythms. Author’s Edition, 1916; enlarged as Japanese Rhythms, 1926.
———. Confucius: A Drama in Two Acts. Privately printed, 1923.
———. Passport to Immortality. The Author, 1927.
———. Seven Short Stories. Cloister Press, 1930.
“Sadakichi Hartmann Papers, University of California, Riverside.”.
Bell, Bill. “In Search of Sadakichi Hartmann: Sadakichi and the San Gorgonio Pass.” 2018.
Cheung, Floyd, editor. Sadakichi Hartmann: Collected Poems, 1886–1944. Little Island Press, 2016.
Lawton, Harry W., and George Knox, editors. The Life and Times of Sadakichi Hartmann, 1867–1944. University of California, Riverside, 1970.
Lerman-Tan, Yinshi. “Sadakichi Hartmann’s American Art: Citizenship, Asian America, and Critical Resistance.” Panorama, vol. 7, no. 1, 2021.
Weaver, Jane Calhoun, editor. Sadakichi Hartmann: Critical Modernist—Collected Art Writings. University of California Press, 1991.