Frona Lane wrote poems that refuse to stay in one shape. The devotional and public lyrics of Apples of Gold give way in Third Eyelid to sharpened images, psychological unease, shifting margins, dream sequences, and poems that seem to examine the mind from inside its own machinery. Worm, Feed Gently, and Other Poems pushes further into mortality, desire, war, domestic fracture, and the comedy of consciousness. Lane taught poetry, dramatics, and public speaking in Los Angeles adult schools, and her own account of modern verse praised crossed images, verbal conceits, free association, and rhythm released from inherited expectation. Those principles animate a body of work that ranges from radio and newspaper verse to experimental sequences and privately printed books. Collected Poems follows that development and recovers an inventive Los Angeles modernist whose formal restlessness was the core of her practice.
Lane, Frona. Third Eyelid. Alan Swallow, 1951.
———. Worm, Feed Gently, and Other Poems. Green Leaf Press, 1957.
———. Apples of Gold. 1945.
———. Eve Made Wise.
———. Make-Believe.
———. Mommy Dear.
———. Hold the Candle High.
———. One Prayer Not Wasted.
———. Pattern for Peace.
———. Shipshape Honeymoon Diary. With Aarno B. Davidson. 1970.
“Review of The Third Eyelid, by Frona Lane.” Independent Press-Telegram, 27 Apr. 1952, p. 8.
The Huntington Library. “Kate Rennie Archer Papers.” The Huntington.
Yale University Library. Furioso Papers. Beinecke Rare Book and Manuscript Library, p. 26.