Don Gordon wrote as though the lyric poem were a pressure gauge held against the machinery of history. Depression hunger, fascism, world war, the blacklist, psychiatric wards, nuclear weapons, and old age all register in sentences that are muscular, compressed, and alert to the vulnerable body inside every public declaration. A Los Angeles studio reader and political organizer, Gordon refused to name others before HUAC in 1951 and returned to MGM to find his desk cleared. His later work in day care, a halfway house, and a night clinic carried institutional damage and survival into On the Ward. Across six books—from Statement and Civilian Poems to Excavations and The Sea of Tranquility—his poems keep asking whether a human scale can be recovered from historical ruins. This volume restores that forceful, long-scattered body of work.
Gordon, Don. Statement. Bruce Humphries, 1943.
———. Displaced Persons. Alan Swallow, 1958.
———. On the Ward. West Coast Poetry Review, 1977.
———. Excavations. West Coast Poetry Review, 1979.
———. The Sea of Tranquility. Curbstone Press, 1989.
———. Collected Poems. Edited with an essay by Fred Whitehead, University of Illinois Press, 2004.
———. “The Kimono.” Poets of Today, edited by Walter Lowenfels, 1964.
———. Eleven poems in We Believe in Humanity. Raduga, 1986.
———. Six poems in Poets of the Non-Existent City: Los Angeles in the McCarthy Era. Edited by Estelle Gershgoren Novak. University of New Mexico Press, 2002.
Gordon, Don, and Aaron Kramer. Civilian Poems. Bernard Ackerman / Beechhurst Press, 1946.
Magazine acknowledgments in the 2004 edition record work in Accent, The American Scholar, The Antioch Review, Asia, Blue Unicorn, California Quarterly, Centennial Review, Coastlines, Colorado Quarterly, Contemporary Reader, Dacotah Territory, Electrum, Experiment, Free World, Gramercy Review, Green River Review, Greenfield Review, Grove, Harper’s, Harvest Quarterly, Icarus, International Poetry Review, Menorah Journal, Minnesota Review, The Nation, New Caravan, New Earth Review, New Kent Quarterly, New Masses, New Mexico Quarterly Review, New Quarterly, New Republic, Neworld, North Country Anvil, North Dakota Quarterly, North Stone Review, Northern Light, Poetry, Poetry View, Prairie Schooner, Praxis, Puerto del Sol, Quarterly Review of Literature, Quindaro, Samisdat, San Fernando Poetry Journal, San Marcos Review, The Saturday Review of Literature, Snowy Egret, The Southern Review, Southern Voices, Southwest Review, Stone Country, Texas Quarterly, West Coast Poetry Review, West End, Western Review, and Xanadu.
“Internet Archive: Communist Infiltration of the Hollywood Motion-Picture Industry, Part 5.” Complete 1951 hearing volume containing Gordon’s testimony.
“Poetry, Sept. 1955 contributor record.” Digitized issue record.
“Poetry, Sept. 1954 contributor record.” Digitized issue record.
“Poetry, Aug. 1953 contributor record.” Digitized Poetry record associated with Gordon.
“National Archives: Records of the House Un-American Activities Committee.” Federal guide to HUAC records and hearing indexes.
Gordon, Don. Interview by Larry Ceplair. Hollywood Blacklist Oral History Transcript. UCLA Oral History Program, 1988.
“UCLA Library Center for Oral History Research. Hollywood Blacklist collection.” Gordon’s 1988 interview. Consult the UCLA catalog and rights office for access and quotation permission.
Heredia, Jesus D., director. Unamerican. Tinderbox, 2002. Short documentary concerning Gordon and the blacklist.
Hickerson, Pat. Obituary or notice. People’s Daily World, 1989.
Jacobson, Dale. Essay on Gordon. North Dakota Quarterly, 1990.
Laska, P. J. Review or essay on Gordon. Minnesota Review, 1977.
McGrath, Thomas. “Poet of the Fifties.” Frontier, vol. 9, 1957.
Nicholl, Lewis Townsend. Review of Statement. Saturday Review, 24 Nov. 1944.
“University of Illinois Press: Don Gordon: Collected Poems.” Publisher description, bibliographic data, and account of the recovery edition.
“Tina Gainsboro and Gordon Family Papers.” Present location and access unresolved. Whitehead identifies family-held photographs, certificates, passports, and recollections as major sources.
U.S. House Committee on Un-American Activities. Communist Infiltration of the Hollywood Motion-Picture Industry, part 5. Hearings, 24 Sept. 1951, pp. 1785–1793. Testimony of Donald Gordon.
University of Illinois Press Archives. “Editorial Correspondence and Permissions Documentation for the 2004 Don Gordon Recovery Edition.” Research lead concerning manuscripts and estate records.
Van Duyn, Mona. Review of Statement. Poetry, June 1944.
Whitehead, Fred. “On the Life and Work of Don Gordon.” Don Gordon: Collected Poems. University of Illinois Press, 2004, pp. 207–263. The fullest published biography and critical account; includes sixty-four documentary notes.
———. Essays on Gordon in Quindaro, 1979, and the Daily World, 1980.