Gene Frumkin moved from a Harlem and Bronx childhood into McCarthy-era UCLA journalism, the independent Los Angeles magazine Coastlines, and nearly three decades of teaching in Albuquerque. Mel Weisburd remembered introducing him to modern poetry and Thomas McGrath’s workshop drawing from him a decisive early poem about his father, a tailor. Frumkin carried that mixture of political alertness, surreal comedy, bodily unease, landscape, dream, and philosophical argument from The Hawk and the Lizard through Freud by Other Means and The Curvature of the Earth. At the University of New Mexico he helped establish the creative-writing program and Blue Mesa Review, teaching writers who included Gloria Frym, Joy Harjo, Simon Ortiz, and Leslie Marmon Silko. This edition resets every complete book and independently published poem presently available in the project archive. It preserves the eighty-five-part prose sequence A Sweetness in the Air, avoids repeating selected-book reprints, and uses only Frumkin’s sections of his collaboration with Alvaro Cardona-Hine. Four unavailable books and the missing leaves of the partial Saturn Is Mostly Weather witness are documented rather than silently reconstructed.
Frumkin, Gene. The Hawk and the Lizard. Swallow Press, 1963.
———. The Orange Tree. Cyfoeth, 1965. Long poem; limited edition of 200 copies according to the located dealer record.
———. The Rainbow-Walker. Grasshopper Press, 1968.
———. Dostoevsky and Other Nature Poems. Solo Press, 1972.
———. Locust Cry: Poems 1958–1965. San Marcos Press, 1973.
———. The Mystic Writing-Pad. Red Hill Press, 1977.
———. Loops. San Marcos Press, 1979.
———. Clouds and Red Earth. Swallow Press, 1981.
———. A Lover’s Quarrel with America. Automatic Press, 1985.
———. A Sweetness in the Air. Solo Press, 1987.
———. Comma in the Ear. Living Batch Press, 1990. 139 pages according to the located Google Books record.
———. Saturn Is Mostly Weather. Cinco Puntos Press, 1992.
———. The Old Man Who Swam Away and Left Only His Wet Feet. La Alameda Press, 1998.
———. Falling Into Meditation. Instress, 1999.
———. Freud by Other Means. 2002; frequently cataloged as 2003.
Frumkin, Gene, and Stanley Noyes, editors. The Indian Rio Grande: Recent Poems from 3 Cultures. San Marcos Press, 1977.
Frumkin, Gene, and Alvaro Cardona-Hine. The Curvature of the Earth. University of New Mexico Press, 2007.
“At the Kansas City International Airport.” boundary 2, vol. 4, no. 1, 1975, p. 277.
“American Foreign Policy.” boundary 2, vol. 5, no. 2, 1977.
“Terrorism.” boundary 2, vol. 5, no. 2, 1977.
“Another Backward Glance.” boundary 2, vol. 5, no. 2, 1977.
“Identity.” boundary 2, vol. 5, no. 2, 1977, p. 606.
California State University, Los Angeles. “Library Collections.” Mel Weisburd Papers, literature and poetry holdings; correspondence and Coastlines context.
Charles Bernstein Papers. Correspondence lead identified in archival search records.
“Condors Above Water” and “The Poet.” New Mexico Quarterly, 1967. Indexed records; the repository returned Cloudflare pages rather than downloadable text.
“Dreaming About Kathy Acker.” Caliban, 1991, p. 138. Complete page-image witness.
Gannon, Emma. “Blue Mesa Review’s 30th Anniversary Interview with Founder Rudolfo Anaya.” Blue Mesa Review. Discusses Frumkin’s founding and editorial role.
Goodell, Larry. “Frumkin Reading from Comma in the Ear.” Bandcamp. Archival lead.
“History, Biography: French Series,” movements 14, 15, and 18. Caliban, 1993, pp. 82–84. Complete printed selection.
Johnson, David. “A Tribute to Gene Frumkin.” Blue Mesa Review, no. 19, 2008. EBSCO abstract and record.
“Last Week of Sept. 1973.” Stooge, Apr. 1975, unpaginated. Complete page-image witness located in the redistributed periodical files.
Library of Congress. “Milton Kessler Papers.” Correspondence lead.
“Maps.” Caliban, 1989, pp. 49–50. Complete two-page print witness; this title had previously appeared only in the list of absent Saturn Is Mostly Weather contents.
New Letters on the Air. “At Such Times.” Recording record located; no authoritative print text recovered.
“Outnumbering Any One Way.” Caliban, 1988, pp. 131–140. Complete ten-page print witness, previously represented only by a PennSound recording.
PennSound. “Gene Frumkin.” Author page with titles, dates, downloadable audio, and recordings from Buffalo, Tangents, Magdalena, Harwood, and a Nathaniel Tarn dedication.
“Poem for Childhood.” The Outsider, no. 3, 1968, p. 157. Complete page-image witness located in the redistributed periodical files.
“A Whiskey Bottle, A Manila Folder.” Prairie Schooner, vol. 53, no. 2, 1979.
“Selective History.” Chelsea, vol. 45, 1986, p. 44. Complete prose-poem witness located in the redistributed periodical files.
Six prose poems in Chelsea, vol. 41, 1982: “The Explanation,” “Faith,” “Following,” “A Trick of Memory,” “Disquiet of Reason,” and “Crises.” Saved as a complete JSTOR text witness in the production archive.
“The Poet on His Lunch Hour” appears in The Outsider, vol. 1, no. 2, 1962 and was later collected in Locust Cry.
UCLA. Daily Bruin, vols. 37 and 39. Primary student-journalism record; selected page PDFs.
UCLA Library Center for Oral History Research. “Mel Weisburd Oral History.” Complete transcript.
University of New Mexico, Center for Southwest Research. “Gene Frumkin Papers.” Repository record and research lead.
University of New Mexico News. “Blue Mesa Review Celebrates Issue 24.” Names the founding editors and institutional history.
VOX Audio. “Remembering Gene Frumkin.” Memorial reading, Albuquerque, Mar. 2007.
Weisburd, Mel. Los Angeles Poetry Renaissance, 1955–1965. UCLA Library Center for Oral History Research. Extended first-person account of Frumkin, Thomas McGrath, Lydia Frumkin, Coastlines, and the move to Albuquerque. Complete PDF saved in Research/Online Sources.
Yale University, Beinecke Rare Book and Manuscript Library. “Barbara Guest Papers.” Frumkin correspondence lead.
Stefans, Brian. “Los Angeles Poetry from the McCarthy to the Punk Eras.” A History of California Literature, edited by Blake Allmendinger, Cambridge UP, 2015, pp. 260–80.